Flat cardstock, a cutting mat, and a lot of scoring lines. The sculptural paper builds — cakes, pumpkins, snowmen, gift boxes — that started as a single sheet.

Tulips that never wilt, felt peonies, and a monstera that has never needed watering. Everything blooming here was cut, curled, and shaped by hand.

Softer, slower, completely analog. Florals, bookshelves, and a gallery wall built one painting at a time.

Thirty-six hours of drawing for thirty seconds of video. Procreate work — buildings, portraits, coloring pages, and one very ambitious library.

Machine embroidery, hand embroidery, and felt. Sweatshirts, ornaments, banners, and a baby mobile stitched one loop at a time.

A heart granny square blanket, worked one square at a time. Plus chains, banners, and the projects that live between the bigger ones.

Designing tattoos means designing something permanent. From first mockup to healed line work.

Iron-on vinyl, heat transfer, and tie-dye. Matching family shirts, Halloween costumes, tournament tees, and one very committed Gatorade bottle.

Full event design suites — invitations, signage, favors, games, backdrops, and the small printed moments that make a day feel intentional.

A year-long centennial campaign, built by hand. Parade floats, mini golf, exhibit panels, three hundred gift bags, and a lot of cardstock.

Summer Reading, Winter Reading Challenge, and the seasonal installations that turned an entire library floor into a different world.

Picnic decorations, name tags, appreciation gifts, and desk pieces. Internal work made for the people who make everything else happen.

A family brand, built for fun. Keychains, tees, RV signage, and tie-dye for a trip that deserved its own identity.

Invitations, thank you cards, birthday cards, gift tags, and labels. The small printed pieces, made properly.

Habit trackers, weekly spreads, comparison grids, and a leather portfolio. Designing the tools I actually use to run my own work.